BulletSpace Mac OS
SOLO EXHIBITIONS
2017
Tom McGlynn, Station / Decal / Survey, Rick Wester Fine Art, New York, September 14 - December 23
2016
Tom McGlynn, Quotidian, Drawing Rooms, Jersey City, NJ
2014
Tom McGlynn: Geochromatic Index, dadabasenyc.com
2012
Very Much Like (Pictures of Nothing), paintings and sculptures, Hamilton Square, Jersey City, NJ
Tom McGlynn, Paintings and Sculpture, Hoffstetter Gallery, Pingry School, NJ
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2009
Path Paintings and Drawings, Green Mountain College, Poultney, VT
2008
Di Color Fields and Paths, Castleton State College, Castleton, VT
2007
Wonder (video installation), Jersey City Museum, Jersey City, NJ
2004
Test Patterns: Paintings and Drawings, Raritan Valley Community College, NJ
2001
Mural Installation, Art Resources Transfer, New York, NY
1999
New Paintings, Art Resources Transfer, New York, NY
SELECTED GROUP EXHIBITIONS
2015
Seltsame Kinder, curated by Hoger Stark, Maniere Noire, Berlin, Germany
Minimax, Bullet Space, New York, NY
Pangrammar, curated by Prem Krishnamurthy, P! Gallery, New York, NY
For Machine Use Only, curated by Mohammad Salemy, Schneiderei, Vienna
2013
Paper Goods, curated by Kara Rooney, Susan Eley Fine Art, New York, NY
Out of Step, curated by Brendan Carroll, NJCU, NJ
2012
Extrapolations: The Influence of Tony Smith, Pierro Gallery, South Orange, NJ
2011
Mob, Bullet Space, New York, NY
East of Fresno, The Hatchery Art Spaces, Badger, CA
2009
Kuf-Mold, Rotterdam, Holland
2008
Kuf-Mold, Jan Colle Gallerie, Ghent, Belgium
Drawing Exhibit, Pingry School Gallery, Martinsville, NJ
2007
This is That, Pace University, New York, NY
Kuf-Mold, Istanbul, Turkey
Lateral Attitudes, Raritan Valley Community College, North Branch, NJ
2006
New Video JC, Jersey City Museum, Jersey City, NJ
2004
Drift, a Site Specific Installation, Red Hook, NY
The A/V Club, Art and Technology, Victory Hall Cultural Center, Jersey City, NJ
2003
Color Complexities, JP Morgan Chase and Newport Art, Jersey City, NJ
The Object: Color and Carrier, Kresge Gallery at Ramapo College, Mahwah, NJ
2002
Conversation, Tom McGlynn and Madeleine Hatz, Art Resources Transfer, New York, NY
2000
Alumni Redux One, Kresge Gallery at Ramapo College, Mahwah, NJ
1999
Skin Tight, The Work Space at Dolgenos Newman and Cronin, New York, NY
Fashioned, White Box Gallery, New York, NY
1998
Urban Encounters, The New Museum, New York, NY
1996
Counterculture: Alternative Information from The Underground Press to the Internet, Exit Art, New York, NY
COLLECTIONS
Whitney Museum of American Art, New York, NY
Museum of Modern Art, New York, NY
Cooper-Hewitt, Smithsonian Design Institution, New York, NY
Fogg Museum, Harvard University, Cambridge, MA
Getty Institute, Los Angeles, CA
Smith College, Northampton, MA
Staadt Museum, Berlin, Germany
University of Kansas, Lawrence, KA
University of Wisconsin, Kohler Art Library, Madison, WI
Victoria and Albert Museum, London England
Spencer College, Yale University, New Haven, CT
PUBLICATIONS
2016
Plain Sight, catalogue essay for group show at Western Michigan University, for the NYPOP program of UMass Amherst
2015
Toward a Generic Aesthetics: A Non –Philosophy of Art, &&& Journal, The New Centre for Research and Practice May 29 2015
Driving to Amherst, catalogue essay for Nathaniel Leib, artist in residence at Amherst College 2014-15
2013
Following the Social, apexart catalogue with essay for “Memphis Social,” Memphis, TN
2010
Arcadia Now, catalogue for curated group show, Castleton State College, VT
2003
Lateral Thinking, Catalogue and Essay, Eileen Torpey exhibit, New York, NY
2002
Deluxe, Catalogue with Essay, “Surface Considerations”, Jersey City, NJ
1998
Unnatural Selection, Catalogue with contributing essay, Raritan Valley Community College, North Branch, NJ
Urban Encounters, Catalogue Essay, “The Memory of a Meeting Place,” The New Museum, New York, NY,
1997
After the Fall: Aspects of Abstract Painting since 1970, Vol. II, Contributing essay, curated by Lilly Wei at the Newhouse Center for Contemporary Art, NY
1996
Mac Wells, Light into Being, Retrospective at Hunter College, Contributing essay, New York, NY.
SELECTED PUBLISHED CRITICAL WRITINGS
2015
Frank Stella, The Clamor of Being, review of Whitney Retrospective, Brooklyn Rail, Dec-Jan 2015-16
Olivier Mosset, Paintings, review of show at Koenig Clinton, New York, NY, The Brooklyn Rail, March 2015
2013–2014
“Neo Rausch, “At The Well” Dec 2014, review of show at David Zwirner, New York, NY, The Brooklyn Rail,
Dec-Jan 2014-2015
'NYC 1993: Experimental Jet Set, Trash and No Star', New Museum, New York, NY
Big, Red and Shiny, April 2013, Boston MA
“Rituals of Rented Island” at The Whitney Museum, The Brooklyn Rail, Dec-Jan
“Sense and Unsensibility”, The Brooklyn Rail, March, 20, 2013
“A Moveable Bachelor Party' review of “Dancing Around the Bride“ exhibit at The Philadelphia Museum of Art,
The Brooklyn Rail February 2013
2012
“Mike Kelley: Laughing at Deadlines” Artwrit, Winter Issue
“Wade Guyton OS at the Whitney Museum”, Artwrit, November
“Regarding Warhol”, Huffington Post Arts and Culture. Nov 12
2010
“Return of the Repossessed: ‘Haunted’ at the Whitney Museum” Left Bank Art Blog
“When Attitude Becomes Immaterial, Urs Fischer at the New Museum” Left Bank Art Blog
EDUCATION
M.F.A., Hunter College, New York, NY
B.F.A., Ramapo College, NJ
SELECTED INDEPENDENT CURATORIAL PROJECTS
2016
“Plain Sight” Generic and minimally determined art, Western Michigan University presentation of UMass Amherst NYPOP curatorial invitational
2013
“Memphis Social” a socially engaged project organized by Tom McGlynn for the Beautiful Fields curatorial collective. Winner of a 2013 apexart franchise grant
2012
“Arcadia Now” (Redux), curator of traveling show, New Jersey City University, Jersey City, NJ
2011
“East of Fresno”, co-curator of on site invitational exhibit, Badger, CA “Arcadia Now”, curated group show, Castleton State College, Castleton, VT
2007
“Lateral Attitudes”, Raritan Valley Community College, North Branch, NJ
2008
“Unnatural Selection”, Curator, Raritan Valley Community College, NJ
Bulletspace Mac Os Download
SELECTED BIBLIOGRAPHY
Bulletspace Mac Os X
Salemy, Mohammad. “Tom McGlynn and the Asymtotes of Opticality”, catalogue essay, For Geochromatic Index on Dadabase.Com NYC, 2014
Rooney, Kara. 2013 “Silent Speech and Pulp Avowel” catalogue essay, Paper Goods catalogue, Susan Eley Fine Arts, NY, NY
Carroll, Brendan. “Very Much Like (Pictures of Nothing)” New Work by Tom McGlynn, brendancarrol.wordpress.com, 2012
Kuf-Mold, Catalogue, Istanbul, Turkey, Lateral Attitudes, Catalogue, (Editor with contributing essay), Raritan Valley Community College, North Branch, NJ, 2007
Falkenstein, Michelle. “The Program Has Been Interrupted', review, Color Complexities, The New York Times, February 9, 2003
Moore, Alan and Jim Cornwell. “Local History” Alan Moore, Jim Cornwell, p 351, in Alternative Art New York 1965-1985, edited by Julie Ault, University of Minnesota Press, 2002
Fashioned, Catalogue, White Box Gallery, NY, NY, 1999
Schwabsky, Barry. 'Abstract Painting, Though Not Entirely', review, Unnatural Selection, The New York Times, October 25 1998
Lupton, Ellen. Mixing Messages, National Design Museum and Princeton Architectural Press, pp. 18, 98-99, 1996